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2019 Dialogue-Writing Challenge: Day 19


A chance for you to work on your dialogue chops and win free prizes!

The last four years at this time, we’ve kicked off the New Year by holding a month-long Dialogue-Writing Challenge. It’s been a big success with dozens of writers participating each session. We all learned quite a bit about this important aspect of the craft, plus we had some fun in the process. So I’ve decided to bring it back!

Every Monday-Friday in January, I will upload a post with a prompt for writing dialogue. Each day, write a scene per those guidelines. If you really want to get in the spirit of things, upload your scene here in the RESPONSE SECTION of the original post. That way you can critique others’ pages and receive feedback on your dialogue as well.

To provide extra motivation for this series — to get people to WRITE PAGES — I am giving away some of my Craft classes to Dialogue-Writing Challenge participants. That’s right: For free!

The Craft classes highlight key principles and practices tied to the nitty gritty of writing a script. Here is the Craft lineup, the only time I will teach each of these courses in 2019:

Each is a 1-week online class featuring 7 lectures written by me, lots of screenwriting insider tips, logline workshops, optional writing exercises, 24/7 message board conversations, teleconferences with course participants and myself to discuss anything related to the craft of scriptwriting.

A popular option is the which gives you access to the content in all ten Craft classes which you can go through on your own time and at your own pace, plus automatic enrollment in each 1-week online course. All for nearly 60% the price of each individual class. And special bonus content: 7 lectures on How to Introduce Characters so a script reader will immediately get a clear sense of who each character is… and be entertained in the process.


To qualify to take one of my Craft classes for free, write and submit ten [10] Dialogue-Writing Challenge posts, then provide feedback on ten [10] posts from other writers. The former to get you writing, the latter to work your critical-analytical skills.

A chance to take any of my ten Craft classes, interface with me online along with the usual stellar group of writers who take Screenwriting Master Class courses, while using writing exercises and feedback to upgrade your skill at writing and analyzing dialogue…


A couple of logistical notes:

  • Limit your response to 2 pages. Out of fairness to everyone participating in the public dialogue-writing workshop, let’s not abuse anyone’s patience or time with really long scenes.
  • Give your scenes a beginning, middle and end. You may enter late and exit early, but provide an arc to each of your posts. Even monologues or telephone conversations, both of which we will be doing this month.
  • Don’t be concerned about proper script format when you copy/paste your pages, rather the content and execution are the important thing. So as a default mode, do this: (1) Don’t worry about right-hand margins on scene description or dialogue, just keep typing until it manually shifts each line. (2) Don’t worry about character name position, rather do this:
SCARLETT: Rhett, Rhett... Rhett, if you go, where shall I go? What shall I do?
RHETT: Frankly, my dear, I don't give a damn.

Today’s prompt: Funeral.

Eulogy. Words of comfort. Or not. Funerals bring out the best… and worst in people. Great opportunity to explore your dialogue chops.

Write a 1–2 page dialogue-centric scene, then copy/paste as a RESPONSE.

If you are interested in qualifying for 1 free Craft class with me, please note in each response you submit the number of scenes you have written. If today is your first one, note that it is Scene 1. The next one, Scene 2. And so forth.

Also when you provide feedback on someone’s scene, please note in each reply the number of comments you have uploaded. So if today is your first response, Feedback 1. The next one, Feedback 2.

You are on an honor system, as I don’t have time to check every response, so do the right thing!

Remember: In order to qualify for one of my free Craft classes, you need to submit ten [10] Dialogue-Writing Challenge posts, then provide feedback on ten [10] posts from other writers.

If you’ve written 10 scenes and provided feedback on 10 scenes written by others, congratulations! You’ve just won one of my Craft classes for free. Email me for details on your prize: GITSblog at gmail dot com.

FEEDBACK TIP: Does the dialogue feel authentic? Are the characters genuine in their reaction to the deceased character’s passing? If not, suggest how to make their sides feel more realistic.

Want to join the fun? Here are the prompts:

Day 1 prompt: A hangover conversation

Day 2 prompt: A conversation set in a cemetery

Day 3 prompt: An interrupted phone call

Day 4 prompt: Pep talk

Day 5 prompt: Talking to a pet

Day 6 prompt: Not wanting to hear the truth

Day 7 prompt: Talking heads

Day 8 prompt: “You’re fired!”

Day 9 prompt: Flashback voice-over narration

Day 10 prompt: “It seemed like a good idea at the time…”

Day 11 prompt: Last call

Day 12 prompt: Flirting

Day 13 prompt: A stranger crying in public

Day 14 prompt: Meet cute

Day 15 prompt: Off-screen (O.S.)

Day 16 prompt: Traffic jam

Day 17 prompt: Sales pitch

Day 18 prompt: Intercom

It’s the 2019 Dialogue-Writing Challenge! Give a jolt to your creative and writing muscles… and win 1 free online class with yours truly.

Finally, if you have a suggestion for a dialogue-writing prompt, please post as a RESPONSE or email me.

To see all of the 2015 Dialogue Writing Exercise prompts, go here.

To see all of the 2016 Dialogue Writing Exercise prompts, go here.

To see all of the 2017 Dialogue Writing Exercise prompts, go here.

To see all of the 2018 Dialogue Writing Exercise prompts, go here.

Join the challenge, improve your dialogue-writing chops, and win a free class with me!

2019 Dialogue-Writing Challenge: Day 19 was originally published in Go Into The Story on Medium, where people are continuing the conversation by highlighting and responding to this story.




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